Price at just 4.53 and is located in Shipping to United Kingdom . In 2005 composer Arvo Pärt said: “Playing one tone really well is enough”. 2011-11-15. The ob X is awesome but the most fragile of the lot. Let’s complete the JUP4 features: Regarding its voice architecture, the Jupiter-4 is the only Jupiter synthesizer with a single VCO per voice. There are glorifying musical experiences on the one side, but frustration and desperation on the other side. Small, monophonic synths are getting affordable, just like the Mini, the ARP Odyssey and many others. That’s beyond me, as I would love to control all four voices of the Jupiter independantly by an analog sequencer (or via MIDI-CV/Gate by computer). It is far more realiable, a real PRO synth in every sense … with very few inaccuracies. This is offer promotion for 25.3 ! The Jupiter 4 has preset memory and was released in 1978, 4 years before the Juno 60. It misses some (important) analog inaccuracies. Throw in an OBX – just for insurance, and you’ll never need another thing, as far as poly’s go. A few years later I implemented Kenton MIDI to get rid of the “interface problem”. The Roland Promars was my imaginary “dream machine” for many years. I would recommand Io midi kit that really squeezes out so many additional controls for all of us; mouse clikers. MODIFIER-SEKTION: global speed control of Arpeggiator, plus a separate VCF-modulation feature (sort of Sample/Hold being routed on VCF – Roland calls it “VCF Random Modulation”), ARPEGGIO MODES: Up, Down, Up/Down, Random, A very flexible pitchbend-section: modulation routings of VCO/VCF/VCA (VCA modulation was quit in later Roland pitchbend-sections… what a shame! it finds it´s way on most of my recordings (abstract ambient electronic soundscapes). But come on Theo, you mentioned “ugly duckling” way too often :), Whatever Pete Forrest said, JP4 is beautiful looking and awesome sounding instrument. i think i love everything about it, maybe wish it had aftertouch and a second oscillator. As Peter Forrest points it out: “All technology eventually goes cheesy, but the JP-4 went cheesy quicker than most.”. Jupiter-4 Jupiter-6 Jupiter-8 JX-3P JX-8P MC-202 MC-4 MC-8 MKS-30 MKS-80 MGP-80 MSQ-100 MSQ-700 Promars RS-505 SH-09 SH-1000 SH-101 SH-2000 SH-2 SH-3A SH-5 SH-7 SPV-355 SVC-350 System-100 System-100M System-700 TR-55/TR-33 TB-303 TR-606 TR-808 TR-909 TR-77 VP-330 … I think you can ask 1200 – 1400 Euros for a non-working Jupiter-4. The series has built a reputation for being top of the line products with premium builds and advanced sound technologies. Roland explain that the Jupiter name represents the pinnacle of their synthesis options. It has its own soul and what you’re doing the whole day is trying to tame it. By using our services, you agree to our use of cookies. As I knew the Jupiter-4 quite well, a monophonic Jup-4 with CV/Gate sounded perfect to me. But let’s have a detailled look at the features. Again I believe they are the best of all Jupiter synthesizers (even better than those of the Jupiter-8). All in all it’s full of character, a dry – but at the same time funky – analog sound. Fact is, the Jupiter-4 has not the same Rollce-Royce design as its much-loved big brother Jupiter-8. only limited time ** this roland jupiter 4 . CV/Gate is a perfect feature, and the additional modulation-in port is brilliant (lets you control all bender-movements via an external CV source – you MUST try that with an analog sequencer, you’ll get stunning grooves). Will need a fine tune for the oscillators, probably worth another service . Horrible keyboard (normal for the time and the manufacturer), 4 octaves (at least for a poly), but single-purpose bender, 8 presets (nullissimes) and 8 memories (great for live), chorus called "Together", a few opportunities to sustain pedals, effects, but no real possibility of external control (this is not the purpose of the synth). It was my mistake to believe in the Promars. 10+ Joined Reverb. Required fields are marked *. This is a beautiful Roland Jupiter 4 6 8 80 X JP . A page for friends and fans of the Roland Jupiter 4 polyphonic synth, as well as related content. It’s worth it! I couldn’t agree with your comments by the way. Big brother Jupiter-8 sounds fat, the OSCar sounds fat, even a MS-20 may sound fat … alright, and the Jupiter-4? It offers TWO VCOs instead of one. My opinion: the dual-VCO monophonic Promars is quite different from the meaty Jupiter-4 sound character. Good work Theo! I believe the situation even got worse during the 90s and at the beginning of the new millenium. The top is arpgiateur, bass have a super attack. (The Roland Jupiter 4 has a total of 34 reviews). Examples: – Kenton (https://kentonuk.com/product/roland-jupiter-4/), not cheap, but lots of functions (incl VEL and AT), definitely excellent quality Thus, a certain Ableton MIDI track would not only control the Jupiter-4 notes, but also – via velocity – its filter …. If the synthesizer is up and running properly (“you” fixed it or someone else did), then 2000 – 2200 Euros might be a realistic price for a Jupiter-4 which comes in a “little more tired shape”, following your description. The Jupiter-8 is the must lush-sounding analog of them all. Thanks for the article. Quick Shipper. Text from the video : Roland Jupiter-4 4-Voice Analog Synthesizer from the year 1978. But try it in DUAL mode and it brings character like no other. Released in 1978, the Jupiter-4 was one of the first analog polyphonic synthesizers available and featured 8 memory locations and an arpeggiator. Owner’s Manual Owner’s Manual (this document) Read this first. Doch tatsächlich leben wir “heute” in einer nahezu perfekten Zeit. I’m sure those musicians who had the power of a Prophet-5 in minde, were extremely disappointed of the JUP4 sound quality. Keeping all the required shipping costs and packing (transportation) in mind, the final price of “close to” 2000 Euros (plus all the work coming with it) seems fair to me. Shipped From. I forgot to mention it was COMPUPHONIC (anybody knows what that means?). Whenever this synthesizer was offered on the vintage market, it fetched very low street prices. A Jupiter-4 doesn’t look funky enough, instead it reminds of an home organ (especially because of the strong wooden side bars and the old-styled silly-coloured push buttons beneath the keyboard). Ok, fine. See for example the smaller synth the JUPITER-Xm, this synth is 5 – timbral with huge polyphony and with a performance oriented sequencer. Se alguém quiser comprar contacte me Regards, Theo. Since the release of the JUPITER-4 in 1978, the name JUPITER has marked the pinnacle of Roland sound and playability. That’s not really bad, and I guess it’s even part of the instrument’s individual character. http://www.kentonuk.com/products/items/sockets/roland/jupiter4.shtml, http://www.chd-el.cz/index.php?id=403&lngid=en, http://midipolis.blogspot.co.at/p/manuals.html, https://www.youtube.com/channel/UCk5xX-OqDYdfSGnuq9ZyMvg, https://kentonuk.com/product/roland-jupiter-4/, https://www.vermona.com/en/products/modules/product/qmi-2/, Baloran THE RIVER – an elemental SOUND force. i´d absolutely get it again. The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.. I also love the Trident, the Andromeda and the CS80. Mine has the CHD Elektroservis MIDI retrofit, plus the Io programmer upgrade. A dreamsynth in 1978! - synthesizers: Doepfer, Cwejman, MacBeth, Moog, GRP, Synthesizers.com, COTK, Studio Electronics, John Bowen and others. It’s very powerful and more aggressive than other Jupiter filters – thanks to that raw and almost uncontrollable filter resonance. Well, in fact that might be true. Kenton Electronics: The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. 2.4K likes. It never did it for me. The VCF is – more like on a MS-20 – very dirty at high resonance settings, and the LFO especially is unique within the whole Jupiter-line. Here’s Human League: “‘Hard Times’ – I think that was the saxophone preset of a JP-4, but it sounds nothing like a saxophone. Roland Jupiter X/Xm Review Mit dem Roland Jupiter X bzw. But if you’re clever and know about the sonical richness of a Jupiter-4, you go ahead and fetch one on the street. It’s the Jupiter-4 that offers that wildness and roughness … it’s the most characteristic analog polysynth Roland released, in my opinion. MemoryMoog, Trident, CS80 … these are the great polysynths! please contact with us about the pictures & details. Midipolis: It’s quite the opposite, to be exact. In no way shape or form is the jp8, digitally precise. The first Jupiter synth. JUPITER RISING. It’s the prettiest of the big guys, but still definitely very, very big and analog sounding. – CHD Elektroservice (http://www.chd-el.cz/index.php?id=403&lngid=en), really affordable, less functions than the Kenton kit (but with pitch bend control feature … so you can again address MIDI data to the VCF … via virtual pitchbend movements), sometimes problems with hardware (that’s at least our experience) …, Hope there’s some useful information for you … dem Xm legt Roland eine neue Jupiter Generation in gleich zwei verschiedenen Größen auf. This process took a whopping 26 hours. Como não tenho dinheiro quero vendê-lo apesar de não o querer fazer… But well, “polyphonic” is in the air – in 1975 Oberheim’s SEM-philosophy offers in some way true polyphony by linking several synthesizer modules together. A MemoryMoog – now there’s a big poly with character. It is a synthesis of the late 70's. The VCF is worthy of Roland SH period, very musical, almost a little "moogish" depending on the setting of the resonance. Author claims the Juno 60 was Roland’s first synth with preset memory. Out of his list the pro5 sounds the cleanest hands down. “Fat” is not the only sound-quality you need! This site uses Akismet to reduce spam. Last but not least: Jupiter-4 envelopes are extremely fast. 2020. Sales. Whoever wrote this article did not do their homework. Why? Einerseits hat man – mehr oder weniger – noch Zugriff auf die Vintage Analogen, andererseits wird auch bei Neugeräten die wichtige Komponente des hochwertigen Klanges wieder zunehmend berücksichtigt. : ). http://www.chd-el.cz/index.php?id=403&lngid=en The Jupiter-XM by Roland was designed to continue the legacy of this range that started with the Jupiter-4 all the way back in 1978. Moogs are perfect fat sounding machines, Oberheim- and ARP-synthesizers as well. There is a nice drift, use your lfo and modulation, slightly detune one voice and you are away. Too sterile sounding. Yes, it only has one VCO per voice. I have not plugged any amp or anything into it yet, so have not heard it, nor know if any sound will come out of it. The fast envelopes sound soooo groovy, the single VCO is extremely meaty. First, the JUP4 has no MIDI (and no CV/Gate), and only few Jupiter-4 have be retro-fitted. Also i want to record the filter as a midi track. Or one of the powerful Kenton MIDI-CV converters, there are other manufacturers as well. … there are polyphonic MIDI-CV interfaces (such as the Vermona qMI 2 quad MIDI interface – https://www.vermona.com/en/products/modules/product/qmi-2/) … Nevertheless, a Kenton Retrofit kit would be the most eleganz solution (but also the expensiest, I have to agree). A monophonically played JUP4 – with 4 independet, slightly-out-of-tune, voices – can’t be replaced by a monophonic instrument. IMAGE. It explains the basic things you need to know in order to use the JUPITER-Xm. Human League used the JUP4 on many of its records …, The SubOsc lets the VCA overdrive quite often, and while the dirty filter resonance isn’t that easy to adjust correctly, the arpeggiator runs continually throughout all four octaves and you simply desperate trying to manage the whole sonical cluster…. Comparisons are often not very useful (I agree). Korg Volca Series – little doors to big polyphonics? I gave my friend some money to make the deal ‘official’. Roland Jupiter-4 for sale. I also have a Roland SH-2. Soon you’ll be quite happy with this great synthesizer. Jupiter was where Roland put their latest technology and the same holds true with the 80. Quite thin at times! Oberheim OB12 – a wolf in sheeps clothing? Like the JP-8000 and Jupiter-80 before it, the Jupiter-X somewhat controversially invokes the iconic Jupiter name introduced in 1978 with the analogue Jupiter-4. I would like to either refurbish it & sell it for around 2 – 3 grand, or, sell it to someone for around 1 grand for them to then have it refurbished to sell or keep for themselves. Hard to imagine…. Roland Jupiter-4. Roland’s first polyphonic synthesizer came in 1978, with the release of the Jupiter-4. I believe dry, subtle tone colours enrich your music as well. It “looks” a little old-fashioned, but in fact the Jupiter-4 is unique … one of the best analog synths ever made! Title: Roland Jupiter 4 Owners Manual Author: Roland Subject: Roland Jupiter 4 Owners Manual Keywords: www.ftg.co.uk Created Date: 12/8/2003 8:55:30 AM ), it misses the unique sound character one might be looking for. A Quadra just for a diff’t string flavour, but that’s it! osc analog 1 (saw, square, pulse) with sub oscillator. Meticulously overhauled - disassembled and cleaned inside and out, fully refurbished, sparing no expense, in an attempt to future-proof, thoroughly tested and working perfectly. I owned a Jupiter 8 in Mint Mint Mint condition for over 10 years, and I used it less than 10x. I have seen the prices for these machines & am thankfull as I was thinking of asking around £75 each (for this & a casio), with a 3 level stand & some mic stands. Gear Garage. Noch heute schwärmen Tanzmusiker von diesem ersten „leistbaren“ polyphonen Synthesizer und den – wenn auch kurzen – goldenen Zeiten, die mit ihm anbrachen. Rolands Jupiter-4 war doch tatsächlich „state-of-the-art“ im Jahre 1978! It’s just an anlog polysynth that looks a little stupid. It was my brother`s originally who has passed. I know we can use the filter on the pitchband but thats a last solution. Simply because it’s one of the most distinctive sounding analog synthesizers ever made. Now that I know they are worth a lot more, naturally I`d like a decent price for it. You can hear it in action on my YouTube channel: https://www.youtube.com/channel/UCk5xX-OqDYdfSGnuq9ZyMvg. A four voice programmable instrument with presets, memories, chorus and even an arpeggiator at the price of a Minimoog. Conceptional changes always occur in a different sound. The jup 4 is gritty and a fabulous thing, it is on my hunt a clean one at £2000 list. Doepfer, Cwejman, Synthesizers.com, MacBeth, Moog, GRP, Studio Electronics, COTK, John Bowen und andere Hersteller bauen hervorragende Synthesizer, die den “Klassikern” in nichts nachstehen. Working with the Jupiter-4 is very strenious and costs some nervs. Please any tips from u guys the specialists. It really is. … yes, I agree – and I apologize. Fourth, the JUP4 is NOT a beautiful looking instrument. Various possibilities. The filter is a real highlight! Welcome to the world of the Jupiter-4. The Promars is no bad synthesizer, not at all. 6. The ugly ducking, as mentioned. I find it really underestimated compared to. CV/Gate is a perfect feature, and the additional modulation-in port is brilliant (lets you control all bender-movements via an external CV sourc… Duophonic keyboards still are not really polyphonic, as they usually simply share oscillators between two voices. The new I-Arpeggio is Roland most expansive arpeggiator yet, able to work on all five rhythm and drum sections simultaneously. One of the greatest analog synths of all time, the Jupiter 8 features eight voices of polyphony with two oscillators per voice, which combined with I have a fair bit of his equipement, most of which is for sale. Les synthétiseurs JUPITER Roland intègrent nos technologies les plus avancées, sont d’une jouabilité optimale et sont conçus à partir de matériaux premium. Roland Jupiter-8 Version 3.2+ 3.4D Firmware Update . ), and therefore the Promars has a simple mono-out jack. MFB Dominion X / X SED – the OSCar effect. Although its factsheet looks convincing (a powerful voice with TWO VCOs, great interfacing, etc. [email protected]. I’d rate it within the Top-10 music machines regarding its unique meaty character. Therefore I wonder why only a few Jupiter-4 instruments got the CV/Gate modification – like the instrument Rüdiger Lorenz had. First things first, the Jupiter-X isn’t meant to be a Jupiter-8 reissue or even a reboot. My JUP4 sits right between the Prophet-5 and the Jupiter-8, and believe me, it’s no ugly duckling! I also owned a Jupiter 6, I sold there about 5 years. (I’m quite shure you will :o). I have 1 of those Jupiter 4 synthesizers which I`m trying to sell. While LFO and filter are identical to teh JUP4, the overall unique Jupiter sound character is somehow lost. Dependant on what is wrong with it, I`m wondering how much it may cost to have it refurbished.? Roland Jupiter-4. Admittedly, the Jupiter can sound terrible, but it shouldn’t take too long to learn how to program it (the Jupiter-4 is no complicating machine). As I knew the Jupiter-4 quite well, a monophonic Jup-4 with CV/Gate sounded perfect to me. Roland’s Plug-Out system allows you to purchase and import new engines into the three Plug-Out slots via your DAW (an SD card slot allows you to store extra patches too, but not upload plug-outs). We hope you like it. Other than CV/Gate, you can also install a full MIDI kit. I also owned a Jupiter 6, I sold there about 5 years. Well, it’s not. And you’ll never let it go! “Fat sounds” are not the only type of audio impression, right? Jomox SunSyn – the TRUE analog synthesizer? Third, its voices are out-of-tune regularly. The Jupiter-4 was my first ‘contact’ with those weird machines called ‘analog synthesizers’. Did some searching and found 2 options, Kenton & IO (although I'm unsure i Description. The Jupiter-4 offers a sound character in its own, a sound that many over-the-top-instruments will never reach! This continued, the LED pulses on & off at the same interval. These instruments normally can be fixed (“I” wouldn’t do it if I wasn’t an experienced synth technician, best if a skilled person does the work) … it should be possible to bring a Jupiter-4 back to life for 500-600 Euros, maybe even less. MY personal favourite is the Prophet-5 (and the OB-8). You can imagine, I borrowed the Jupiter more often, extending each lending period. Ah, yes … finally, there’s the clunky Roland keyboard. Of all Rolands is the warmest, most organic, most hypnotic. It was among one of the first poly synthesizers (4 individual voices which could be synced together for one fat monophonic lead), it had a pitch wheel that could be assigned to the VCA, VCF, VCO or all together, there are 8 memory locations and a cool arpeggiator - the arpeggiator can be heard in the Duran Duran classic, "Rio". The VCF is worthy of Roland SH period, very musical, almost a little "moogish" depending on the setting of the resonance. A good friend borrowed me his JUP4, and as soon as the arpeggiator started to run, the synthesizer wouldn’t stop playing for many hours. You helped me make the decision! Playing the Jupiter 4, I often feel it is almost 4 Roland SH-2 used only with a VCO and sub-oscillator. My Jupiter 4 is the one musical instrument I would keep if I had to get rid off all the others I own. But don’t get me wrong: it is NOT the perfect synthesizer, not at all. But the chorus is lost (who needs a chorus with two VCOs? Poor Jupiter-4 never got rid of its ugly duckling image. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary DCB interface. But, I’m very xcited about getting my Jupiter 4! Indeed, many musicians could not think of a better instrument (for that price). It’s got character, and that’s worth a LOT – something the JP8 doesn’t have at all. The onboard VCO/SubOsc philosophy was picked up by Roland again in the early 80ies with the introduction of Juno-6/60 and Juno-106. Can anyone tell me roughly how much these things cost to refurbish and/or if anyone is interested in buying it. Although I studied classical music (piano and drums), it’s the electronic sound that inspires me. Whereas the marvellous Sequential Prophet-5 was called “most sexy synthesizer in the world” (I would equally call Roland’s Jupiter-8 the same), poor Jupiter-4 was the ugly duckling. in synthesizer history! Since the release of the JUPITER-4 in 1978, the name JUPITER has marked the pinnacle of Roland sound and playability. Regarding Ableton, you simply play the Jup4 via MIDI (Computer MIDI out – Converter MIDI in – Converter CV/GATE out – JUP 4 CV/GATE in) … you probably know the procedure. Depuis la sortie du JUPITER-4 en 1978, le nom JUPITER est associé au summum du son et de la jouabilité Roland. It was the perfect time for the first Jupiter synthesizer to hit the market. Payment & Returns. http://midipolis.blogspot.co.at/p/manuals.html. But therefore it misses a strong “own” personality (compared with, let’s say, a Prophet-5, an Oberheim OB-Xa, or a Memorymoog). Diese Aussage ist ebenso einfach wie ich auch exzellent: Es braucht kein Meer an Tönen, denn entscheidend ist der Klang. With the exception of the soundfile “The Roland Family” (by Luis Debon), which is a mix of the Roland Jupiter-4, Jupiter-6, Jupiter-8, JD-800, VP-330, SH-101 and CR-78. For the Jupiter-XM, Roland has opted to use this classic design and premium build quality, but merge it with a powerful new synth engine. These are very personal assessments, of course … so, I’m sure there are many musicians who’d evaluate the instruments completely different … there’s no “right” or “wrong” … it’s all about characterizing personal experiences …, I own right now, from back in the day a jup8, a jup 6 a pro 5 xpander and 6r amongst other delights. Synthesizers are the epitome of new sounds and exciting tonal spheres. Message Seller. His only default is that it is not original MIDI. There is NO Juno on “Save a Prayer”, which features a Roland SH-2 sequenced by a CSQ (forget which model) and Jupiter 8. With CV/Gate you need a MIDI-CV/Gate converter. The Roland Jupiter 4 has an average rating of:4.3 out of 5. Its sound is highly precise and very tight. * The pitchbend-to-VCO / pitchbend-to-VCF effect can be heard an most of the attached soundfiles …. Simply, because it’s a real beast. Like the Doepfer MCV4 (see http://www.doepfer.de/mcv4.htm), price 110 Euros. We made this … It has none of the analog imperfections that make Oberheim and Sequential synthesizers so unique. Same with the Jupiter-6 … extremely precise … another PRO synth, but missing the extra extra in character. I plugged it in & the power LED does not come on. Add to basket. But 4/6/8 voice machines were not cheap, nor simple to use. , use your lfo and filter are identical to teh JUP4, the Jupiter-4 very. Vintage market, it ’ s Manual owner ’ s not really bad, and I roland jupiter-4 review gritty a! Does not come on comprar contacte me Regards, Theo don ’ t have at all Jupiter-4 have be.... 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More realiable, a sound character is somehow lost the analog imperfections that make Oberheim and Sequential so! The powerful Kenton MIDI-CV converters, there ’ s first polyphonic synthesizer came in 1978, the Jupiter-4 a. It had aftertouch and a fabulous thing, it is on my channel. Something the jp8, digitally precise: Roland Jupiter-4 4-Voice analog synthesizer from the:...

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